拍摄罕见的棕鬣狗在钻石矿业鬼镇中巡逻。
Photographing the rare brown hyena stalking a diamond mining ghost town

原始链接: https://www.bbc.com/future/article/20251014-the-rare-hyena-stalking-a-diamond-mining-ghost-town

野生动物摄影师威姆·凡登·赫弗尔花费多年时间,在纳米比亚的鬼镇科尔曼斯科普捕捉一只棕色鬣狗。由于持续发现足迹和粪便,他设想在废弃建筑中拍摄到这种害羞、夜行动物的引人注目画面。 他的追寻充满挑战。鬣狗难以捉摸,经常只能远距离观察到,而纳米布沙漠本身也带来了障碍——无情的沙尘暴损坏设备,浓雾遮蔽了潜在的拍摄机会。 凡登·赫弗尔坚持不懈,每年返回并仔细地在鬣狗可能经过的区域设置相机陷阱。他专注于构图,预测动物的路径与幽灵般的建筑相协调。尽管他也拍摄到其他野生动物,如豺狼,但他最终的奉献目标是揭示这个荒凉但美丽的地点中隐藏的生活。

## 黑客新闻讨论:鬣狗摄影与人工智能担忧 一篇BBC文章,展示了在钻石矿业鬼镇中令人惊叹的棕色鬣狗照片,引发了黑客新闻的讨论。虽然这些照片获奖了,但评论员们争论照片的吸引力在于图像本身还是引人入胜的背景故事。 一个主要的讨论点围绕着区分真实内容和人工智能生成内容日益增加的难度。一位用户质疑文章和图像是否真实,从而引发了关于验证来源和识别潜在人工智能伪像的长时间交流。回复范围从检查摄影师的资历和声誉(Wim van den Heever)到承认人工智能图像生成能力的快速提升。 一些评论员预测,未来可靠地验证视觉媒体将变得不可能,而另一些人则认为,来自真实世界传感器的数据将始终优于模拟数据。讨论还涉及了旨在建立内容来源和真实性标准的“内容来源和真实性联盟”(C2PA)等倡议。最终,这次对话凸显了在先进人工智能时代,人们对在线信息可信度的日益增长的担忧。
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原文

Van den Heever runs nature photography tours around the world and returns to the Namib Desert once a year. During his initial visits, he became convinced that a brown hyena was roaming the ghost town at night. "I would see either droppings or tracks of a hyena in the area," he says. He soon had the idea of photographing the hyena in the striking setting of the ghost town.

After trying several different approaches, Van den Heever settled on waking between 02:00-03:00 to return to Kolmanskop to set up his camera trap while the town was entirely empty. Capturing the shot, however, was exceptionally difficult. The brown hyena is a shy animal, mainly active at night. For years, Van den Heever would only catch a glimpse of one far in the distance from the town, often running in the opposite direction.

Added to that was the daunting environment of the Namib Desert. Easterly winds brought sands that would pile up a metre (3.3ft) high against his photography equipment in the night. "I had one or two years where cameras just got absolutely trashed," he says. When a westerly wind was blowing in off the ocean, it brought thick banks of fog. "Then even if there's a hyena in your picture, you can't see it, because the fog's just too thick."

Van den Heever captured other animals besides the brown hyena, including a jackal (Credit: Wim van den Heever)

Finally, there was the question of where to put the camera trap. Van den Heever imagined the route a hyena might take while roaming through the abandoned town. "I always had in my mind that if something's going to walk from this direction to this direction, it'll have to come through this plane," says Van den Heever. "And if I can time it correctly, I can get the hyena here, and I can get the house there. And that was basically how I went about choosing the composition and lining up the cameras."

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