高等教育触底反弹
Higher Ed Bottoms Out

原始链接: https://www.zerohedge.com/political/higher-ed-bottoms-out

## 哈佛与“艳俗”的中心舞台 最近哈佛的聘用决定引发批评,评论集中在大学学术标准被认为下降以及拥抱挑衅性展示上。卡里姆·胡布昌达尼(Kareem Khubchandani),一位名为LaWhore Vagistan的变装表演者,被聘任教授关于《RuPaul的变装皇后秀》的课程,被一些人视为这一趋势的象征。 批评者认为,该课程将“艳俗”——夸张的戏剧性和常常品味低俗——提升到不适合一流学术机构的水平。他们质疑表演者形象的心理影响,特别是他对女性生殖器的关注,以及它对学生可能产生的影响。人们担心哈佛领导层是否充分审查了这次聘用,以及它是否符合大学的使命。 核心论点在于,边缘行为应该停留在主流生活的边缘,而不是在精英教育中被正常化。作者质疑为何哈佛的女性教职人员似乎支持这次任命,暗示其中可能存在一种令人不安的动态。最终,这篇文章呼吁对这一决定及其潜在后果进行更深入的调查,甚至建议对课程内容进行心理评估。

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原文

Authored by James Howard Kunstler,

"There are so many disgusting animals in public life that we have allowed to fraternize with the rest of society to our absolute peril."

- Aimee Terese on "X"

Harvard, apparently, can never learn.

It has made itself the poster-child for all the failures of contemporary education, including the racketeering around endowments, government grant grifts, race and gender hustles, and intellectual surrender to ideas that would make medieval astrologasters burst out laughing.

Case in point: the university lately announced the hiring of a Boston-area drag-queen to teach a course in the spring semester of 2026 about the TV show known as Ru Paul’s Drag Race. The show features contestants vying for prizes and crowns based on “Charisma, Uniqueness, Nerve, and Talent” (C.U.N.T.). Get the picture? Reach into your Jungian psychology tool-bag.

This backwater of the arts was identified some years ago by the literary pop-star Susan Sontag as “camp” derived from the French se camper “to pose in an exaggerated fashion” depicting “unnatural artifice.” Camp is the theatrical cousin of kitsch, which is the celebration of bad taste, with histrionic overtones of exaggerated sentimentality.

Please understand: when you are watching drag-queens, you are not really seeing men posing as women. You are seeing men portraying women as monsters. You might surmise that these are men who labor under “mommy issues.” The giveaway is that they often banter onstage humorously about their male genitalia, and sometimes even attempt sneaky displays of such, which opens that behavior to interesting interpretations.

Harvard’s drag-queen du jour demonstrates all that nicely. Kareem Khubchandani, his legal name, is a professor of theater, dance, and performance studies at Tufts University.

Drag Queen LaWhore Vagistan a.k.a. Kareem Khubchandani

He also teaches “Studies in Race, Colonialism, and Diaspora.” As a drag star, he goes by the stage-name LaWhore Vagistan. This is how he describes himself to the news media: “[M]y preferred pronouns are ‘she’ or ‘aunty.’ I chose ‘LaWhore’ because my family traces its origins to Pakistan: Lahore is an important city in Pakistan, and well, I’m a bit of a whore. And Vagistan because I see the subcontinent as one, big, beautiful Vag … istan.”

Of course, his fascination with female genitalia, of seeing a whole nation in that guise, is a bit odd considering that A) he is a homosexual performer who is ostensibly not attracted to female sexual characteristics and lacks experience with them, and B) he is a male of the species who does not possess such organs himself. Therefore, on what basis would he have gained so much knowledge of female genitalia and developed such a powerful obsession around them as to imagine the whole country of his ancestors that way? Possibly, it has something to do with mommy. . . something that made her appear. . . unforgettably monstrous.

We will probably never know the answer to these quandaries, and they are somewhat secondary to the main question of Mr. Khubchandani’s employment in this connection at Harvard where young minds get molded to become the future managerial class of our nation. Other questions do present, though. For instance, did Harvard’s President Alan Garber know about this hire and sign off on it, and how would he say it fits Harvard’s mission? Or Provost John Manning? Or Hopi E. Hoekstra, Dean of the Faculty of Arts and Sciences? Or Harvard’s Board of Governors?

All this underscores an important lesson that America has apparently managed to unlearn, something that we once knew quite well: that marginal behavior belongs on the margins, not in the center of our national life.

The celebration of vulgarity for its own sake is arguably not the highest aspirational ideal for the best-and-the-brightest of our society, however amusing it might be in their hours of leisure, when people are free to pursue whatever lights their imaginations.

It also raises the question as to why would highly-educated women, say, the female faculty and admins at Harvard, virtually all PhDs, certified geniuses in their fields, go along with such a garish display of farcical disrespect for the female of the species, being officially showcased as part of Harvard’s curriculum? Do they see themselves as monsters who deserve mockery and objurgation? Do they enjoy watching a man enact such degrading psychodrama so as to diminish his manhood altogether? Does it signify some sort of conclusive triumph over “the Patriarchy?” (And how much of a good thing is that?)

Harvard happens to have a Psychology Department, including a PhD program in Clinical Science, Social Psychology, and Cognition, Brain, and Behavior, under chairman Matthew K. Nock, PhD. His official Harvard bio states:

“Nock’s research is aimed at advancing the understanding of why people behave in ways that are harmful to themselves, with an emphasis on suicide and other forms of self-harm. . . to better understand how these behaviors develop, how to predict them, and how to prevent their occurrence.”

Perhaps President Garber should ask Dr. Nock to audit LaWhore Vagistan’s upcoming course to see, for instance, how it speaks to the epidemic of transgender violence currently plaguing the USA. We need all the insight we can get.

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