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What sort of shows were these that you worked on as a technical diver? Is this a Seaworld-type of situation? But not sure why they would need underwater lifts.
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The House of Dancing Water in Macau. There is O at Bellagio, LV, NV, Le Reve closed at Wynn Las Vegas, The House of Dancing Water, Macau (where I worked), and there's another one in Wuhan, China (yes, Wuhan). The lifts had 8m hydraulic actuators to allow them to go down 7m and rise above pool level +1m. There were 11 stage lifts. The high-dive act was from 24m up. 17m liters of water. Here's a video during construction: https://www.youtube.com/watch?v=35WJDSoA8Ag&t=13s And you can check YouTube out for more of the motorcycle act, Russian Swings, high-dive, and other acts. |
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For those complaining about the presentation, Safari's "Show Reader View" works well. Also supported on Firefox. On Chrome, it's complicated.
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I just used Reader mode, didn't even need JavaScript. Do read it. It's a well written and also very affecting insight into the lives of people doing essential work under difficult conditions. |
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This article definitely wins my award for the most unnecessary scrolljacking -- the animations add no value, are too short, and only serve to delay being to read further in the article.
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I think GP just wants you to be smart enough to commend them for knowing of the marshmallow test but not smart enough to know if the reference is applicable.
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EDIT reply to your EDIT: >I literally said it’s “a rewarding read.” At the risk of stating the obvious, you wrote that reply to gp ctenb's comment _after_ he already gave up on the article and not _before_. You'd have to tell him before he considered reading the article for it to be more analogous to The Marshmallow Test. In other words, he can't "fail" your Marshmallow Test if you never set up the proper conditions for the test. >It’s not a random article. It’s been upvoted to the HN front page. Yes, being on the front page is one potential signal of quality but HN audience is diverse in reading preferences. Because you happen to like this article and the front page upvotes confirms your bias, I just want to go meta and point out how some others on HN would dislike this type of "long-form human interest" article. My previous comments about that - https://news.ycombinator.com/item?id=24270673 - https://news.ycombinator.com/item?id=26698153 This thread's article is not a fast-moving explanation about undersea cable logistics (e.g. Wendover Productions style). Instead, it frames the narrative around people such as Mitsuyoshi Hirai with long biographical sentences such as this: >, Hirai’s mind leapt to what would come next: a tsunami. Hirai feared these waves more than most people. He had grown up hearing the story of how one afternoon in 1923, his aunt felt the ground shake, swept up her two-year-old brother, and sprinted uphill to the cemetery, narrowly escaping floods and fires that killed over 100,000 people. That child became Hirai’s father, so he owed his existence to his aunt’s quick thinking. [...] Hirai’s career path is characteristic in its circuitousness. Growing up in the 1960s in the industrial city of Yokosuka, just down the Miura Peninsula from the Ocean Link’s port in Yokohama, he worked at his parents’ fish market from the age of 12. A teenage love of American rock ‘n’ roll led to a desire to learn English, which led him to take a job at 18 as a switchboard operator at the telecom company KDDI as a means to practice. When he was 26, he transferred to a cable landing station in Okinawa because working on the beach would let him perfect his windsurfing. This was his introduction to cable maintenance and also where he met his wife. Six years later, his English proficiency got him called back to KDDI headquarters to help design Ocean Link for KCS, a KDDI subsidiary. A lot of readers prefer not to slog through text like that if they're really just interested in the undersea cables. It's not just the dynamic sliding photos that would dissuade potential readers to finish the article but the style of writing itself. EDIT reply to >Lots of people don’t like dense books either. Well, this subthread you replied to was literally complaining, ">, since the information density is too low" |
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Rather the article failed him. I closed the page at "from banks to government to TikTok", of all the glorious applications of a world wide network, the most glaring is teenagers making dance videos. |
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Something about the look of that orange lifeboat makes me think back to my childhood, watching my share of japanese cartoons.
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TLDR: They're telling the story of the boat crews that lay and repair all of the submarine fiber optic cable and puts a human face behind it all. It's actually a very good read. |
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It's an interesting, well-written article written in good faith. I think small semantic issues like this should be ignored so we can enjoy worthwhile discussion. |
I remained hidden below water as a technical show diver, while 1800 to 2000 audience members topside were getting impatient with a "technical delay" show pause. Typically, we were checking for faults in safety systems on underwater lifts, or for a potential hydraulics leak. We'd exit under the audience seating and go back to work after clearing the issue.
In a world filled with high-tech desk jobs, finance, and non-tangible products, and having grown up working class, I have great respect for all the people behind the scenes physically keeping our tenuous world together. Some of this became readily apparent with once invisible food delivery and restaurant workers during COVID. Healthcare workers obviously came into their own too, but so many other workers were still taken for granted.
I visualize a person huffing when their internet is slow or intermittent with a guy out to sea working during a storm or under difficult conditions and I laugh at the juxtaposition and perspective of both. I also do rope work and had to resort to doing more of it during COVID because my 'desk work' dried up a bit. Hanging 300ft off of a building with a black balaclava and mask with all-black rigging equipment in NJ doing a facade inspection across from the FBI building was certainly a memorable one. (Note: all-black equipment is standard for theater and entertainment work to stay hidden. I did confirm the FBI building people were informed there would be 4 guys on ropes that day. You never know!). I have been programming since 1978, but I have always had to have some physicality to my work in order to be satisfied. I guess it's having a more tangible connection to the world not abstracted away several layers.